The Poirot Project: Tragedy, In The Clouds, A.B.C., and Mesopotamia

The Poirot Project: Three Act Tragedy, Death in the Clouds, The A.B.C. Murders, Murder in Mesopatamia by Agatha Christie
Series: Hercule Poirot
Published by Harper Collins Genres: Classic Mystery/Suspense
Source: Purchased: print book

I read these over a year ago, and rather than do full blown reviews of each of them, I am just going to jot down my thoughts, impressions and memories. When I began the Christie Project, I considered reviewing each book as I read it, but decided against it because it is sometimes difficult to review books in a vacuum. Before I could review them, I felt like I needed, in my own mind, to have an understanding of where I would personally put the book in the overall series in terms of quality. Christie was prolific, and her work is definitely of varying quality even within her various series. Plus, it is difficult for me to come up with sufficient material for a review of a piece of detective fiction since being spoiler-free is critical.

With these four Poirot mysteries, Christie has clearly hit her stride as an author. They are some of the strongest in the Hercule Poirot series, as well as in her overall bibliography.

Three Act Tragedy (Poirot #11)

Year of publication: 1935
Setting/Locations: England
Narration: third person
Investigator: Hercule Poirot, Mr. Satterthwaite

This is a really interesting Hercule Poirot puzzler! Hercule Poirot partners with a friend by the name of Mr. Satterthwaite who has previously appeared in The Mysterious Mr. Quin, a book of short stories that I have not yet read. The format of the book is designed to mimic a stage play with three acts, and one of the main characters is Mr. Cartwright, an actor. The initial murder occurs at a party. In this book, Christie uses a concept that she will use in at least other mystery (The A.B.C. Murders) – I read that one on the heels of this one and it gave me some clues as to, at least, how and why the murders were being committed. I don’t want to say too much, because I don’t want to give the story away, but this is a good one. In addition, this is one of the books where Christie makes reference to the killer avoiding justice through the criminal justice system through suicide.

Death in the Clouds (Poirot #12)

Year of publication: 1935
Setting/Locations: Airplane over the channel
Narration: third person
Investigator:Hercule Poirot, Inspector Japp

Of the four books referenced in this post, I think that Death in the Clouds is the least interesting. It is a locked room mystery, taking place on a airplane flight between Paris and London. Christie brings into the mystery Jane Grey, one of her ubiquitous young women who end up captivating Poirot – similar to Katherine Gray in Mystery of the Blue Train, Amy Leatheran in Murder in Mesopotamia, and Appointment With Death’s Sarah King. This book also features Inspector Japp. The murderer has a complicated plan that is motivated by basic greed, and the murder weapon, a poisoned dart, is among the more novel features of this mystery.

The A.B.C. Murders (Poirot #13)

Year of publication: 1936
Setting/Locations: England
Narration: first & third person
Investigator: Hercule Poirot, Inspector Japp, Hastings

The A.B.C. Murders is one of the best Poirot mysteries. I would probably put it in second place, just under Murder on the Orient Express. It serves as Christie’s take on the “serial killer” mystery, with an incredibly ingenious murderer who keeps the reader guessing. I would probably recommend reading this one before reading Three Act Tragedy, as having read that one really clued me in to what was actually going on with this one (I read them in order, so I had read Three Act Tragedy very close in time to this one). I think that this is the better and more interesting book of the two. Or, wait and separate your reading experiences and you’ll probably be fine. In addition, the narrative style of this book is very interesting, being presented both in the first person through Hastings, but also in a third person narration of the killer, reconstructed by the first person narrator. It is extremely unique among all of the Poirot mysteries.

Murder in Mesopotamia (Poirot #14)

Year of publication: 1936
Setting/Locations: Iraq
Narration: first person
Investigator: Hercule Poirot, Amy Leatheran

According to Christie’s website, you should read Murder on the Orient Express before reading this one. I loved Murder in Mesopotamia, set at an archeological dig in Iraq for its exotic setting. Amy Leatheran, a young nurse, provides an interesting change of narrators in this one. There are some difficulties with the plot, however, as the resolution of this particular mystery (like that of The Third Girl) crosses the line between merely unlikely into utterly implausible. In this, as in many other Christie novels, it is very clear that being in possession of clues into the identity of the killer is likely to end badly for the person involved once the killer figures it out! The moral of that story is: tell Poirot everything, immediately!


  1. I love the ABC Murders book! That was done so well and I remember being gobsmacked by the ending.

  2. I love the ABC Murders and Three Act Tragedy, tho for sentimental reasons I like Three Act Tragedy just a little bit better. I guess sometimes it’s all about the time and place of where you read the book. 😀

    And Murder in Mesopotamia…..Oh, my,…..if ever there was a deserving victim, this book had it.

    • Christine

      December 21, 2016 at 9:24 am

      I think you’re confusing Murder in Mesopotamia with Appointment with Death (they’re both set at an archeological dig in the Iraq area). Murder in Mesopotamia is the one with the wife who is murdered after receiving poison pen “If I can’t have you, no one can” letters from her supposedly dead first husband! But, yes, Appointment with Death is one of my favorites, and Mrs. Boyton is indeed a horrible, horrible woman!

  3. Ah, sorry, I am confusing Murder in Mesopotamia with Appointment with Death. It’s Appointment with the deserving victim and Murder in M with the unlikely charade.

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