The Poirot Project: Blue Train, End House, Lord Edgware & the Orient Express

The Poirot Project: Mystery of the Blue Train, Peril at End House, Lord Edgware Dies, Murder on the Orient Express by Agatha Christie
Published by Harper Collins

I read these over a year ago, and rather than do full blown reviews of each of them, I am just going to jot down my thoughts, impressions and memories. When I began the Christie Project, I considered reviewing each book as I read it, but decided against it because it is sometimes difficult to review books in a vacuum. Before I could review them, I felt like I needed, in my own mind, to have an understanding of where I would personally put the book in the overall series in terms of quality. Christie was prolific, and her work is definitely of varying quality even within her various series. Plus, it is difficult for me to come up with sufficient material for a review of a piece of detective fiction since being spoiler-free is critical.

So, now, with a bit of distance between myself and the books, these are my thoughts on books 6 through 10 of the Poirot series.

The Murder on the Blue Train (Poirot #6):

Year of publication: 1928
Setting/Locations: Train between England/France
Narration: third person
Investigator: Hercule Poirot

I thought that this was an exceptionally weak Poirot. I usually love books set on trains, but this one really did not work for me. I didn’t like the victim, Poirot was off his game, and the tie-in to the theft of the famous ruby, Heart of Fire, was unconvincing. Christie often uses the famous jewel thief trope in her mysteries, and I am always skeptical. It reminds me too much of the Pink Panther. Were there really jewel thieves that were so notorious that they received nicknames, like modern day serial killers? I don’t know, but I sort of don’t buy it. Anyway, this is a lower-tier Poirot, and apparently Christie herself didn’t think much of it! This is skippable, although it isn’t among the worst that she ever wrote!

The Peril at End House (Poirot #8)

Year of publication: 1932
Setting/Locations: English country
Narration: third person
Investigator: Hercule Poirot, Inspector Japp & Hastings

There is something about this one that I love. It never makes it onto “best of Christie lists,” but it is one of my favorite Poirots. This probably relates to the Cornwall setting, as I have a soft spot for books set on the Cornish Coast, and, as well, I really admire Christie’s cleverness in plotting this complex puzzle. I also love Inspector Japp even more than I love Hastings, so any book where he makes an appearance is probably going to be a winner for me. This one has a lot of moving parts, which Christie works together beautifully.

Lord Edgware Dies (Poirot #9)

Year of publication: 1933
Setting/Locations: England
Narration: third person
Investigator: Hercule Poirot, Inspector Japp and Hastings

Christie is moving into her strongest writing period at about this time, and Lord Edgware Dies is a strong entry in the Poirot series, although it doesn’t reach the level of Poirot’s next outing. However, there are some aspects of this book that I really liked – with Christie is important to pay attention to even stray remarks, because you never know what is going to turn out to be important at the end. This one also features Inspector Japp, going down the entirely wrong track, and a thoroughly narcissistic killer. It’s a good thing that Hercule Poirot didn’t actually retire, or the English jails would be full of the wrongfully accused!

The Murder on the Orient Express (Poirot #10)

Year of publication: 1934
Setting/Locations: Train/Croatia
Narration: third person
Investigator: Hercule Poirot

This is definitely my favorite Poirot mystery, and probably my favorite Christie mystery of all time. I love the closed circle trope, and Christie deploys it to fantastic effect in this novel. Just the idea of the “Orient Express” is glamorous, conjuring up images of art deco fixtures, crushed velvet curtains and women dressed in gorgeous 1930’s fashions.

orient-express

In addition, the victim is a truly terrible person, so one feels nothing but pleasure at his demise, and the solution is unbelievably clever. When I am asked to recommend a Christie mystery to a first time reader, this is my go to recommendation.

I skipped Black Coffee (Poirot #7) a novelisation of a play that wasn’t published until 1998, long after Dame Agatha shuffled off her mortal coil. I’ve heard it is terrible.

8 Comments

  1. I have to say The Mystery of the Blue Train was yawn inducing. And I hated the ending!

  2. Good call on skipping Black Coffee. That was the one where I lost it over Poirot wearing tweeds. The book was just so wrong from start to finish. See…I’m still getting enraged just thinking about it and about how it was ever endorsed by Christie’s estate.

    • Christine

      December 14, 2016 at 9:15 am

      Poirot in tweeds? The horror! He would never. Just. No.

    • Oh, and I love Peril at End House, Murder on the Orient Express, and Lord Edgeware Dies, too.
      There is definitely something about Peril at End House. It’s one of the understated gems in the Christie collection. I first thought it was because it was less outlandish than the others, but that is not exactly true. It’s just not as glamorous in its rural setting.

  3. Hi Blue. I saw your post about the tie in games. I once played the one for And Then There Were None. I was miffed when the murderer turned out to be someone else!

    How do you cope? Do the games you’ve looked at generally follow the books?
    😀

    • Yeah they usually do but And Then There Were None had different endings 🙂 I remember playing and going huh too lol.

      I think the James Patterson games from what I recall were the same charactera but not cases they investigated. Her Interactive has new games that are I think based on the more modern Nancy Drew. I will say the Pride and Prejudice game annoyed the life out of me a little since you can end up marrying other characters rather than Mr. Darcy.

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